“It’s funny,” beams Uma Thurman, “but in Hollywood, you don’t hear the word ‘bitch’ as much as you used to. Up until recently, if ever a woman was doing well or achieving something, that term was liberally applied. Women were called all sorts of names.” Sitting in the comfortable confines of London’s Dorchester hotel, looking remarkably fresh in her earth-coloured trousers and top, and acting especially chirpy for someone who stepped off a transatlantic flight just four hours earlier, Thurman is musing on Hollywood’s perception of female writers and directors. A trio of women screenwriters crafted her latest movie, The Accidental Husband.

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